論文封面--莎士比亞悲劇故事中男主角的悲劇分析資料

1、XXXX 學(xué)校二一 屆 本 科 畢 業(yè) 論 文The Tragical Fate of Male Protagonists in Shakespearean Tragedies莎士比亞悲劇故事中男主角的悲劇分析學(xué) 院:_專 業(yè):_姓 名:_學(xué) 號(hào):_指導(dǎo)教師:_完成時(shí)間:_二一年 四 月AcknowledgementsI would like to express my gratitude to all those who helped me during the writing of this thesis.My deepest gratitude goes first and foremo

2、st to Professor Pan Xiao hui, my supervisor, for her constant encouragement and guidance. She has walked me through all the stages of the writing of this thesis. Without her consistent and illuminating instruction, this thesis could not have reached its present form.AbstractWilliam Shakespeare is th

3、e representative of the European Renaissance writers . In the course of a quarter century, Shakespeare wrote some thirty-seven plays. Several of them are among the world's finest written works ; collectively, they establish Shakespeare as the foremost literary talent of his own Elizabethan Age a

4、nd, even more impressively , as a genius whose creative achievement has never been surpassed in any age.His creations reflect the British politics, ideology , culture, customs and traditions for a wide range of time. His plays occupy an important position in the European theater development or liter

5、ary development, his tragedy even reach its peak level in the history of the world literature.This article will start with the cultural origins of Shakespeare's creation, to analyze the tragic figures and the subjective sense of the male protagonists which lead them in achieving the same tragic

6、endings toward life, showing the similarities of the male protagonists in Shakespearean tragedies, and explain the features of the humanities and the social realities of European Renaissance.Key Words: Shakespeare; male protagonists; tragical life摘 要莎士比亞(1564-1616是歐洲文藝復(fù)興時(shí)期的代表作家。在 25年的寫(xiě)作過(guò) 程中 , 莎士比亞寫(xiě)了 37部戲劇。 其中有好幾部都在世界最好的作品之列。 大家 都公認(rèn)莎士比亞是伊麗莎白時(shí)期最具有文學(xué)天才的文學(xué)大師 , 而且更令人驚嘆的 是 , 作為一個(gè)天才 , 他的創(chuàng)作成就從來(lái)沒(méi)有被任何時(shí)代的任何一個(gè)人超越過(guò)。 他 的創(chuàng)作廣泛的反映了當(dāng)時(shí)英國(guó)的政治,思想,文化,風(fēng)俗,習(xí)慣。他的戲劇在歐 洲戲劇發(fā)展史或文學(xué)發(fā)展史上占據(jù)重要的地位, 而他的悲劇在世界文學(xué)史上更是 達(dá)到了登峰造極的地步。 本文將從莎士比亞創(chuàng)作的文化淵源入手, 剖