2020年新視野大學(xué)英語(yǔ)視聽(tīng)說(shuō)教程第二冊(cè)(第二版)聽(tīng)力原文及答案

新視野大學(xué)英語(yǔ)視聽(tīng)說(shuō)教程第二冊(cè)（第二版）聽(tīng)カ原文及參考答案UnitlRollover,Beethoven!ListeningSkillsM:Whydon'twegototheconcerttoday?W:I'llgogetthekeys.Q:Whatdoesthewomanimply?W:Ican'tfindmypurseanywhere.Theoperaticketsareinit.M:Haveyoucheckedinthecar?Q:Whatdoesthemanimply?M:AreyougoingtobuythatpiratedCD?W:DoIlooklikeathief?Q:Whatdoesthewomanimply?M:Doyouthinkthesingerispretty?W:Let'sjustsaythatIwouldn'tvoteforherinthelocalbeautycontest.Q:Whatdoesthewomanimplyaboutthesinger?M:HaveyouseenTom?Ican'tfindhimanywhere.W:Thelightinhisdormwasonjustafewminutesago.Q:Whatdoesthewomanmean?l.B2.B3.D 4.C 5.AListeningInTask1:Encore!Assoonasthesingercompletedthesong,theaudiencecried,t4Encore!Encore!"Thesingerwasdelightedandsangthesongagain.Shecouldn'tbelieveitwhentheaudienceshoutedforhertosingitagain.Thecycleofshoutsandsongswasrepeatedtenmoretimes.Thesingerwasoverjoyedwiththeresponsefromtheaudience.Shetalkedthemandaskedthemwhytheyweresointerestedinhearingthesamesongagainandagain.Oneofthepeopleintheaudiencereplied,“Wewantedyoutoimproveit;nowitismuchbetter."1.F2.T 3.F 4.T 5.FTask2:Whatareyourfavoritesongs?W:Hi,Bob!Doyouwanttogotoaconcertwithme?M:Aconcert?What'sitabout?W:Itfeaturesrecentpopsongs.Areyouinterested?M:Hmm,IwascrazyaboutpopsongswhenIwasinhighschool,butnowI'mnolongerabigfan.opsongsgooutoffashiontooquickly,'mbeginningtopreferoldfolksongs..W:Manyolderpeoplefindthosesongscool,andmyparentsarehookedonthemtoo.Bytheway,aprogramofgoldenoldieswasonTVyesterdayevening.M:Ohwhatapity!Imissedit.W:IhaveaDVDofoldies,Icanlendittoyouifyouwant.W:Oh,thatwouldbegreat.I'mdyingtohearthem.Manythanks.QI:Whatdoestheconcertfeature?B)PopsongsQ2:Whatdidthemanlikewhenhewasinhighschool?HelikedpopsongsQ3:Whatdoesthewomensayaboutolderpeople?D)Theylikeoldfolksongs.Q4:WhatdoesthewomenoffertodowhenshelearnsthemanmissedtheprogramofgoldenoldiesonTV?A)TolendhimaDVDQ5:Whichofthefollowingcanweinferfromthedialog?Aperson'smusicaltastemaychange.Task3musicandyourmoodMusiccaninfluenceouremotions,thoughtsandbehaviortoagreatdegree.Itcanmakeussadorhappy,relaxedorfullofenergy.Slowmusiccalmpeople.Balladsandsomeformsofclassicalmusicoftencreateapeacefulatmospherethatisgoodforrelaxingafterabusyday.Ifthemusicisslowedbelow50beatsperminute,itcancreateanatmosphereofsadness.Thiskindofslowmusiccanbefoundinmanytypesofmusic,suchasjazzandblues.Manypeoplelistentoslowmusic.Itsuitstheirmoodwhentheyarealoneatnight.Fastermusic,suchasrock,heavymetalanddancemusic,tendtogiveusenergyandmakesusfeelfulloflife.Thistypeofmusicisoftenplayedatsportingeventstostirupthefansandtheteams.Rock,popmusicandrapareplayedatparties.Theycanprovideenergytothegathering.Sincemostrock,pop,andrapsongsareeasytolistento,theyaresuitableforparties.Rockmusicissometimesusedtoaccompanyphysicallabor.Itsheavyfasttempospeedsuptheheart,andonealmostworksintimetothemusic,makingtheworkmoreenjoyable.Somepeoplethinkthatrockmusiccancauseroadaccidents.Driverscouldbecomeexcitedbythespeedofthemusicanddrivetoofast.Buttherearesomanythingstodistractadriver'sattentionthatitdosenotmakesensetoblamerockmusic.classicalpeacefulrelaxingJazzsadnessheavymetalenergysportingeventsphysicallaborroadaccidentsSpeakingOutModel1Doyoulikejazz?Laura:Hey!Bob:Hello!Laura:Doyoulikejazz,Bob?Bob:No,notmuch.Doyoulikeit?Laura:Well,yes,Ido.I'mcrazyaboutWyntonMarsalis.Bob:Oh,he'sapianoplayer,isn'the?Laura:No,he'satrumpetplayer.So,whatkindofmusicdoyoulike?Bob:Ilikelisteningtorock.Laura:Whatgroupdoyoulikebest?Bob:Er,TheCranberries.They'rethegreatest.Whataboutyou?Don'tyoulikethem?Laura:Ugh!Theymakemystomachturn!Model2Doyoulikepunkrock?Max:Whatkindofmusicdoyoulike?Frannie:Well,Ilikedifferentkinds.Max:Anyinparticular?Frannie:Er,Iespeciallylikepunkrock.Max:Punkrock?Youdon'tseemlikethepunkrocktype.Frannie:Youshouldhaveseenmeinhighschool.Ihadmyhairdyedblue.Max:Wow,thatmusthavebeenasight!Frannie:Itsurewas.Whataboutyou?What'syourfavoritemusic?Max:IguessIlikejazzbest.Hey,I'mgoingshoppingforCDstomorrow.Wouldyouliketocomealong?Frannie:Sure,thatsoundsgreat.Model3Itjustsoundslikenoisetome.Philip:Turndownthatnoise!Whatonearthisitanyway!Laura:Butdad...ThisisMetallicalThey'resocoal.Theyareoneofthemostfamousheavymetalbands.Philip:Idon'tcare.Itjustsoundslikenoisetome.Ican'tstandit!Laura:Ilovethiskindofmusic,butifyoureallyhateitthatmuch,I'llputonsomethingelse.Whatdoyouwanttohear?Philip:Howaboutsomepopulareasy-listeningmusic.MaybesomethinglikeCelineDion?Laura:Notheragain!Hermusicisn'tveryhipanymore.Ithinksheisabore.Let'sTalkTheOriginoftheSong"H叩pyBirthdaytoYou”Thestoryofthesong“HappyBirthdaytoYou“beganasasweetone,butlaterbecamebitter.Twosisters,MildredHill,ateacheratakindergarten,andDr.PattyHill,theprincipalofthesameschool,wroteasongtogetherfbrthechildren,entitled"GoodMorningtoAll".WhenMildredcombinedhermusicaltalentswithhersister'sknowledgeintheareaofkindergarteneducation,'GoodMorningtoAll"wassuretobeasuccess.Thesisterspublishedthesonginacollectionentitled"SongStoriesoftheKindergarten"in1893.Thirty-oneyearslater,afterDr.PattyHillbecametheheadoftheDepartmentofKindergartenEducationatColumbiaUniversity'sTeachersCollege,agentlemanbythenameRobertColemanpublishedthesong,withoutthesisters'permission.Headdedasecondpart,whichisthefamiliar"HappyBirthdaytoYou''.Mr.Coleman'sadditionofthesecondpartmadethesongpopularand,finally,thesisters''originalfirstpartdisappeared."HappyBirthdaytoYou''hadaltogetherreplacedthesisters'originalsong"GoodMorningtoAll".In1916PattytooklegalactionagainstMr.Coleman.Incourt,shesucceededinprovingthattheyweretherealownersofthesong.GoodMorningtoAllSuccessmusicaltalentswithoutsecondpartreplacedlegalaction8.realownersVI.FurtherListeningandSpeakingTask1:ThankYoufortheMusicI'mnothingspecial,infactI'mabitofaboreIfItellajoke,you'reprobablyhearditbeforeButIhaveatalent,awonderfulthing'CauseeveryonelistenswhenIstarttosingI'msogratefulandproudAllIwantistosingitoutloudSoIsayThankyouforthemusic,thesongsI'msingingThanksforallthejoythey'rebringingWhocanlivewithoutit,IaskinallhonestlyWhatwouldlifebeWithoutasongoradancewhatareweSoIsaythankyouforthemusicForgivingittomeMothersaysIwasadancerbeforeIcouldwalkShesaysIbegantosinglongbeforeIcouldtalkAndI'veoftenwondered,howdiditallstartWhofoundoutthatnothingcancaptureaheartLikeamelodycanWell,whoeveritwas,I'mafanSo1sayThankyouforthemusic,thesongsI'msingingTask2:MozartMozartwasagreatmusicianandcomposerwhosefamecontinuestogrowmorethantwocenturiesafterhisdeath.HewasbominSalzburg,Austria,in1756.Beforetheageoffour,hewasalreadyshowinggreatmusicaltalent.Hisfatherthendecidedtolethimstarttakingmusiclessons.Theboy'sreputationasamusicalprodigygrewfast.Atfive,hewascomposingmusic.Formthattimeon,Mozartwasperforminginconcertsandwritingmusic.Byhisearlyteens,hehadmasteredthepianoandtheviolin,andwaswritingsymphoniesandoperas.HisfirstmajoroperawasperformedinMilanin1770whenhewasonly14.Atfifteen,MozartbecametheconductorforanorchestrainSalzburg.In1781,heleftforVienna,wherehewasingreatdemandasbothaperformerandacompositionteacher,andhisfirstoperawasasuccess.Butlifewasnoteasybecausehewasapoorbusinessman,andhisfinanceswerealwaysinabadstate.Hismusicfromthenextdecadewasnotverypopular,andheeventuallyfellbackonhisteachingjobsforaliving.In1788hestoppedperforminginpublic,preferringonlytocompose.Hediedin1791attheageofthirty-five.Althoughhelivedonlyashortlife,hecomposedover600works.Whichofthefollowingistrueofthefour-year-oldMozart?BWhatcouldMozartdoattheageofsix?AWhichofthefollowingisnotmentionedasoneofMozart'saccomplishmentswhilehewasinhisearlyteens?AWhichofthefollowingistrueofMozart?DWhichofthefollowingcouldbethemostappropriatetitleforthepassage?CTask3:KaraokeDalin:It'sMike'sbirthdayonFriday,soabunchofusaregoingtogotothekaraokebar.Wouldyouliketocomewithus?Laura:Karaokebar?Youhaveaspecialplacejustforsinging?InAmerica,barssometimeshaveakaraokenight,wherethecustomerscansingasong,butwehaven'tspecialkaraokebars!Dalin:Really?InChina,karaokeisaverypopularwayforfriendstospendtimetogether.Wecanselectthemusicthatourgroupenjoys.Wemostlysingpopsongs.Laura:Doyousingindividuallyoringroups?Singingisnotaveryinthing,soIdon'tsingverywell.Dalin:I'msurprisedthatyoudon'tsingmuchinAmerican.SomanyreallycoolgroupscomefromthereLaura:Yeah,musicispopular,butmostlywejustlistentoit.Dalin：Ifyoujustlistentoit,you'llmissoutonalotoffun.Laura:Well,wesometimesdancetothemusic.IF2.F3.T4.T 5.TUnit2What'sonatthecinema?ListeningSkillsW:FromwhatIcanremember,thedirectoraskedustorehearsethisahundredtimes.M:Ahundredtimes?Isthedirectoroutofhismind?Q:Whatdoesthemanimply?M:Whatdidyouthinkaboutthemovieyousawlastnight?W:Ishouldhavestayedathome.Itwasacompletewasteofmoney.Q:Whatdoesthewomanimply?W:Shesaidshemightbecomeafamousmoviestar.M:Yes,andpigsmightfly.Q:Whatdoesthemanmean?M:Soifyougiveme20dollarsforthreetickets,Icangiveyoueightdollarschange..W:Oh,that'scheaperthanIexpected.Q:Howmuchisaticket?W:She'sthebestwomandirectorever.I'veseenallhermovies.M:Areyousure?She'sneverwonanyawards.Q:Whatdoesthemanmean?1.A2.D 3.B 4.C 5.BIII.ListeningInTask1:Finallywe'vefoundsomethingincommonAmy:WhatdidyouthinkofthemoviePeter?Didyoulikeit?Peter:Notreally,Amy.Itseemedthatthedirectorwasjusttryinghardtoimpressuswithstrangeclose-upsandspecialsoundeffects,butheforgottoincludeagoodstory.Amy:Themoviemadeyouthink.Itwasdifferentfromthesuperficialdialogsyouusuallyseeinfilmsthesedays.Peter:Butthemovieseemedtobetoodarkandsad.Whydoesamoviehavetobesadtobedeep?Amy:Butitisbetterthansomeviolentmovieswithnothingbutgunfightsandexplodingcars.Ipreferthought-provokingmovies.Peter:Sometimesyoudon'twanttothink.Youjustwantlight-heartedmovies.Bytheway,didyouseethenewmysterymovieshownatthelocalcinemayesterday?Amy:Oh,itwassosuspenseful.Iwasontheedgeofmyseatthewholetime.Peter:Ilovedittoo.Theplotwasgreat,andtheactingwasunbelievable.Amy:Nowwehavefoundsomethingincommon.Iguesswecanwatchmysteriestogetherinthefuture.directorsoundeffectsgoodstorythinksadviolentlight-heartedmoviesmysterymovieinthefutureTask2:AnactorforgettinghislineTherewasonceanactorwhocouldnolongerrememberhislines.Afterseveralyearsofsearching,hefinallyfoundatheaterthatwaswillingtogivehimatry.Thedirectorsaid,“Thisisthemostimportantpart,andithasonlyoneline.Attheopeningyouwalkontostagecarryingarose.Youholdtherosetoyournosewithjustonefingerandthumb,smellitdeeplyandthensaythislineinpraiseoftherose:4Ah,thesweetsmellofmylove.'"Theactorwasexcited.Alldaylongbeforetheplayhepracticedhislineoverandoveragain.Finally,thetimecame.Thecurtainwentup,theactorwalkedontothestage,lookedattheaudience,andwithgreatemotionsaidtheline,"Ah,thesweetsmellofmylove."Theaudienceexplodedinlaughter.Onlythedirectorwasfurious!"Youdamnedfool!"hecried."You'veruinedmyplay!You'veruinedme!"Theactorwaspuzzled,"Whathappened?DidIforgetmyline?""No!"shoutedthedirector."Youforgettherose!"Whatwastheproblemwiththeactor?DWhatjobdidthedirectorofferhim?CWhatwastheactorNOTexpectedtodowiththerose?DWhatdidtheactordoafterwalkedontothestage?A.Whywasthedirectorextremelyangry?BTask3.TheAcademyAwardsTheAcademyAwards,popularlyknownastheOscars,arepresentedeveryyearbytheAmericanAcademyofMotionPictureArtsandSciencestorecognizeexcellentprofessionalsinthefilmindustry,includingdirectors,actors,andwriters.Theformalceremonyatwhichtheawardsarepresentedisoneofthemostimportantawardceremoniesintheworld.ItistelevisedliveintheUnitedStates,Canada,theUnitedKingdom,andgatherslargenumbersofviewerselsewherethroughouttheworld.Thisyear'sceremonywaswatchedbymorethan40millionAmericans.ItissaidthatonlytheSuperBowl,theOlympicOpeningCeremonies,andtheFootballWorldCupFinaldrawmoreviewersintheUnitedStates.However,theAcademyAwardsarenotwithoutcriticism.IthasbeenobservedthatseveraloftheAcademyAwardwinnershavenotstoodthetestoftime.Criticsclaimthatmanyfilmswithartisticvalue,culturalinfluenceandinnovativequalitieshavenotreceivedenoughattention.Sincethe1980s,money-makingblockbustershaveoftenbeenBestPicturewinners,buttheyarenotnecessarilygreatfilmswithdepth.TheAcademyAwardshavealsobeencriticizedforfavoringcertaintypesoffilmsandneglectingothertypes.TheBestPicturePrizehasrarelybeengiventoananimatedfilmorasciencefictionfilm,withAvatarasanexception.1.film2.directors3.actors4.important5.theUnitedKingdom6.viewers7.40million8.Olympic9.WorldCup10.time11.artisticvalue12.depth13.BestPicture14.favor15.sciencefictionSpeakingOutModel1Willyoucomewithme?John:Laura,Iamwonderingifyou'refreetomorrownight.Laura:Well,IguessIam.Why?John:TvegottwoStarWarspremieretickets.Willyoucomewithme?Laura:Yeah,definitely!Thanksforinvitingme!John:It'smypleasure.Laura:IreallywantedtoseeStarWarsontheopeningnight,buttheticketsweresoldout.Howdidyoumanagetogetholdofthem?John:Afriendofmineworksatthe“Pepsi“headquarters,whichisamajorsponsorofthemovie.Sohewasabletogettheticketsforfree.Laura:Wow,peoplearepayingasmuchas$200eachontheblackmarket.I'mflatteredyouwentthroughallthistroublejustforme.John:You'rewelcome.Model2Whatdidyouthinkaboutthemovie?John:So...whatdidyouthinkaboutthemovie?Laura:Well...IthinkthisStarWarsepisodeisanexcellentpieceofwork,butnotasgoodasthepreviousones.John:Really?ButIthinkthisStarWarsepisodewasincredible!Laura:Whydoyouthinkso?John:Well,oneofthemostspectacularthingsaboutitwasthespecialeffects.State-of-the-artspecialeffectswerethemainreasonforthesuccessofthepreviousepisodes.Laura:You'reright.Thespecialeffectswereamazing!AndIlikethefactthattheycreatedsomanyfantasticsettingsandother-worldlycostumes,weaponsandcreatures.Model3Theplotisfirst-class.John:It'skindofcoolthattheystillusedthesameStarWarsthemesongforthismovie.Laura:Yeah!ItjustremindsmeofthepreviousStarWarsscenes.John:Iknowexactlywhatyoumean!Hearingthatsongmakesmethinkofthepast.Laura:Ithinktheplotwasfirst-class,but1don'tthinkthecharacterdevelopmentwasthatstrong.John:Doyouthinkthathasanythingtodowiththecastingofthemovie?Laura:No,thecastingwasgreat;theactorsareexcellent,butIthinktheactingwasalittleweak.Theyiustdidn'thavealotoffimnyormeaningfilllines.John:Well,maybe,butIlikedthelittlekidthatplayed“Skywalker”.1can'timagineanyoneelseplayingthatpart.Laura:Yeah,Ilikedhimtoo.He'ssocute.LefsTalkAlfredHitchcockAlfredHitchcockwasaBritishdirector.Hismoviesfrequentlyshowinnocentpeoplecaughtupinsituationsbeyondtheircontrolorevenunderstanding.Hitchcockpreferredtheuseofsuspenseinhismovies.Insurprise,thedirectorprovidestheviewerwithfrighteningthings.Insuspense,thedirectortellsorshowsthingstotheaudiencewhichthecharactersinthemoviedonotknow,andthenskillfullybuildsuptensionaroundwhatwillhappenwhenthecharactersfinallylearnthetruth.Hitchcockhadagreatsenseofhumor.OnceataFrenchairport,asuspiciouscustomsofficiallookedatHitchcock'spassport,whichwasmarkedsimplyPRODUCER.Thecuriousofficialasked,“Andwhatdoyouproduce?”"Gooseflesh."repliedHitchcock.AlfredHitchcockalwaysmanagedtomakeabriefappearanceinhismovies:Hewassometimesgettingonabus,orcrossingastreet,orwalkinginfrontofastore,oracrossthecourtyardinanapartment.However,forthemovieLifeboatin1944,hewasfacedwithadifficultproblem.Theentiremoviewassetinalifeboatoutatsea,andtherewereonlyafewcharactersintheboat.Originally,hewantedtofloatbyasadeadbody,buthewasafraidhe'dsink!Hiscleversolutionwastoplaceaphotographofhimselfinanewspaperthatoneofthecharactersreadsduringthecourseofthemovie.WhichofthefollowingisnotacharacteristicofHitchcockandhismovies?AWhatdoesthepassagesayaboutsuspenseinamovie?BWhenHitchcocktoldthecustomsofficialheproduced"gooseflesh",whatdidhemean?nCWhichofthefollowingisnottrueofAlfredHitchcockinhismovies?DHowdidHitchcockmanagetomakeanappearanceinthefilmLifeboat?DVI.FurtheringListeningandSpeakingListeningTask1:OnlyOneLinePeterhasalwayswantedtobeanactor,butneversucceededbecausehehadahardtimememorizinglines.Afriendofhistoldhimaboutasmallpartinaplay.HepromisedPeterthathecoulddoitbecausehe'donlyhavetorememberoneline.Peterdecidedtotakethepart.Hisonlylinewas,“Listen,Ihearthegunsroar!”P(pán)eterpracticedandpracticed,"Listen,Ihearthegunsroar!"OntheopeningnightoftheplayPeterwasverynervous.Backstage,hepracticedhisline,overandoveragain,"Listen,Ihearthegunsroar!Listen,1hearthegunsroar!"Finallycamehisturn,Peterwentontostage.HeheardaloudBOOMandcriedoutinspiteofhimself,"WHATTHEHELLWASTHAT?"1.memorizinglines2.rememberonelineIhearthegunsroaraloudboomforgothislineTask2:MoviereviewsIlovemovies!AndafterIseethem,Iliketocommentonthem.ThesearemoviesIsawthisyearIwouldliketorecommend:AmongcomediesIhighlyrecommendMonsoonbedding.It'sanIndianmovie.ThestoryisaboutanIndianwedding.Preparationsfortheweddingbringoutfunnyandsadsituationstouchingonloveandapastrape.ThismovieshowssomeofthewonderfulcustomsofIndia,andtheimportanceoffamilyandlove.It'sgreat!Amongdramas,1likeAdaptation.Itisanexcellentmovie!Butformethefirstpartofthemoviewastoofasttofollow.IhopetoseeitagainonDVDwithcaptions.ThePianistissetintheSecondWorldWar.It'saboutayoungPolish-Jewishpianist,wholivesinWarsawwithhisfamily.TheNazissenthisfamilytodieintheconcentrationcamps.Hewassafe,butwouldhavediedwithoutunusuallygoodluckandthekindnessofafewnon-Jews.Thisisapowerfulmoviewiththought-provokingthemes.Rabbit-ProofFenceissetinthe1930sinAustralia,andit'sbasedonrealevents.Itisaboutthreenativegirlswhoareseparatedfromtheirfamiliesbytheracistpolice.Afterthishappens,thepolicesendthemtospecialcenters.Therethegirlsaretaughtpracticalskills,andthegovernmenttriestointegratethemintowhiteAustraliansociety.Theycanawayfromthecampandwalked1,500milestofindtheirmothers.Thisisasad,touchingstorythatyoushouldnotmiss.WhatdoesthespeakerimplybysayinghewantstoseethemovieAdaptationagainonDVD?A)Hewantstounderstanditbetter.WhathappenedtotheyoungPolish-JewishpianistinthemovieThePianist?C)Henarrowlyescapeddeaththankstoafewnon-Jews.WhichofthefollowingistrueofthethreenativegirlsinthemovieRabbit-ProofFence?C)Theywanttobewiththeirmothers.Howmanycomediesdoesthespeakerrecommend?A)OneWhichofthefollowingcouldbethebesttitleforthepassage?D)MovieRecommendationsTask3:let'sgoandseethemovieLisa:Whatkindofmoviedoyouwanttosee,Nick?Nick:IreallywanttoseeMonsterNight,thehorrormovieadvertisedinnewspapers.Lisa:MonsterNight?Itsoundsscary.Idon'tlikehorrorfilms.Nick:OK.It'snotyetintheatersanyway.Itwon'tbecomingoutuntilnextweek.Whatmoviesareplayingnow?Lisa:Letmecheck.There'sanactionfilmstarringJetLi,and...MonsterNight!It'salreadyintheaters.Nick:What?Itis?Whichtheaterisitplayingat?Lisa:It'sshowingatthetheaterinthemall.ButIreallydon'twanttoseeit.Nick:AllthecriticshavegivenMonsterNightgreatreviews.Whattimesisthenextshowing?Lisa:Well,ifwehurry,wecanmakethethreeo'clockshow.Theshowafterthatisat4:30.ButI'mtoofrightenedtoseethisone.Nick:Comeon,Lisa!Don'tbeachicken.Let'sgo!Wehavetogetticketsbeforetheysellout!FTFTFUnit3EveryJackhashisJill!ListeningSkillsM:Willyoulovehim,honorhim,comforthimandkeephiminsicknessandinhealth,aslongasyoubothshalllive?W:Iwill.Q:Whoisthewoman?W:Mike,wakeuplIt'stimetogotoschool.Hurryuporyou'regoingtobelate!M:Don'tworry.Icansleepalldaylong.DidyouforgettodayisMartinLutherKing'sbirthday?Q:Whoisthewomanmostlikelytobe?M:CouldIseeyourdriver'slicenseandregistration,please?W:What'sthematter,officer?Q:Whoistheman?M:I'dliketoaskyouabouttheresearchpaperyouassignedthatwehavetodobytheendofthesemester.W:Ok.Whatwouldyouliketoknow?Q:Whoisthewomanmostlikelytobe?W:I'vecleanedthewindows,moppedthefloors,andfoldedthelaundry.IsthereanythingelsethatyouwouldlikemetodobeforeIcallitaday?M:Didyoudothelivingroomyet?Q:Whoisthewomanmostlikelytobe?LB2.C 3.D 4.A 5.AListeningInTask1:Don'tbeachicken!Gilbert:Hey,Henry,isSarahcomingwithus?Henry:Yes.Why?Gilbert:Nothing.I'mjustasking.Henry:Justasking?Butwhyisyourfaceflamingred?Ah-huh,someonehasacrushonSarah,doesn'the?Gilbert:Whohasacrush?!Henry:Comeon,Gilbert,don'tbesuchachicken.Ifyoulikeher,justgoandtellher.Maybeshelikesyou.Gilbert:ButIdon'thavethegutstoaskherout.Henry:Whatareyousoafraidof?Gilbert:I'dtotallydieifsheturnedmedown.Henry:Butthat'sbetterthankeepingeverythingtoyourself.You'vegottoletherknow.Comeon!You'vegottotakeachance!Gilbert:Idon'tknow...Well,maybeyou'reright,buthowamIgoingtotellherIlikeher?1.goout 2.flamingred3.crush4.chicken5.likes6.guts7.turnhimdown8.keepingeverything 9.tellherTask2:DatinginAmericaBeforemarriage,youngerAmericansdateeachother,thatis,theyoftengoouttogether.Casualdatingusuallybeginsintheearlyteens,andinthelateteensapatternofsteadydatingdevelops.Thereisagreatpossibilitythatonegoestoadancewithoneperson,toafootballgamewithanother,andt