中式風(fēng)格在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用.doc

中式風(fēng)格在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用Chinese Style Applied to Modern InteriorDesign摘要：本文在總結(jié)現(xiàn)代室內(nèi)環(huán)境設(shè)計(jì)中存在問(wèn)題的基礎(chǔ)上，進(jìn)而從傳統(tǒng)圖案、裝飾材料、居室色彩、自然景觀、陳設(shè)飾品、聽(tīng)覺(jué)嗅覺(jué)六大表現(xiàn)語(yǔ)言入手，較為詳細(xì)地總結(jié)出現(xiàn)代室內(nèi)設(shè)計(jì)中中式風(fēng)格的運(yùn)用手法，并提出了在運(yùn)用中式風(fēng)格時(shí)應(yīng)該注意的問(wèn)題。關(guān)鍵詞：中式風(fēng)格 傳統(tǒng)文化 室內(nèi)設(shè)計(jì)檢索：/Abstract：This review describes the design of modern environmental problems,based on further from the traditionalpattern,decorative materials,room colors,natural landscape,furnishings accessories,hearing,smell the six lan-guage performance to start,a more detailed summary of the modern interior design the use of Chinese-styleapproach,and proposed the use of Chinese style should pay attention to.Keywords：Chinese style,traditional culture,interior designInternet：/1現(xiàn)代室內(nèi)設(shè)計(jì)中存在的問(wèn)題室內(nèi)設(shè)計(jì)是根據(jù)建筑物的使用性質(zhì)、所處環(huán)境和相應(yīng)標(biāo)準(zhǔn)，運(yùn)用物質(zhì)技術(shù)手段和建筑美學(xué)原理，創(chuàng)造功能合理、舒適優(yōu)美、滿足人們物質(zhì)和精神生活需要的室內(nèi)環(huán)境。這一空間環(huán)境既具有使用價(jià)值，滿足相應(yīng)的功能要求，同時(shí)也反映了歷史文脈、建筑風(fēng)格、環(huán)境氣氛等精神因素。我國(guó)現(xiàn)代室內(nèi)環(huán)境設(shè)計(jì)中存在的問(wèn)題主要表現(xiàn)在以下幾點(diǎn)：11 設(shè)計(jì)過(guò)程中傳統(tǒng)文化的迷失當(dāng)今中國(guó)社會(huì)的浮躁和文化追求上的迷失，表現(xiàn)在設(shè)計(jì)上則是重造型、輕文化。建筑是一種文化現(xiàn)象，建筑是人類文明的重要載體。城市又是建筑的集聚地和載體，是一個(gè)國(guó)家文化狀態(tài)、文明程度最集中的體現(xiàn)、是國(guó)家的濃縮。全球化的浪潮席卷而來(lái)時(shí)，我們看到了中國(guó)的現(xiàn)代文化的“不自主性”與傳統(tǒng)本土文化的迷失，具體到建筑與環(huán)境藝術(shù)方面，突出的狀況是粗制濫造的“包豪斯式”建筑遍布，格調(diào)低俗的“偽歐陸風(fēng)情”的泛濫。模仿、抄襲、追求豪華的現(xiàn)象在設(shè)計(jì)作品中隨處可見(jiàn)，鮮明強(qiáng)烈的區(qū)域性文化特色在當(dāng)今中國(guó)的大多數(shù)城市中漸漸消退，這無(wú)不與傳統(tǒng)文化迷失和社會(huì)浮躁有關(guān)，究其原因，既有文化的迷失，也有制度上的缺失。這是當(dāng)今城市決策者和設(shè)計(jì)師必須面對(duì)的嚴(yán)重而緊迫的問(wèn)題。12 設(shè)計(jì)過(guò)程中缺少人性化的關(guān)懷室內(nèi)設(shè)計(jì)的根本宗旨是為人而不是為物，我們的行為規(guī)律、生活需求是室內(nèi)設(shè)計(jì)的根本參照，這是由人與外在環(huán)境的“非確定關(guān)系”決定的（即自然界沒(méi)有提供現(xiàn)成的生存條件，而是人通過(guò)自己的改變來(lái)使環(huán)境為自己服務(wù)，人與動(dòng)物不同就在于人對(duì)外在世界必然的超越性），隨著社會(huì)經(jīng)濟(jì)的發(fā)展，人對(duì)自己生活質(zhì)量提出越來(lái)越高的要求，正是這種要求才推動(dòng)室內(nèi)設(shè)計(jì)的發(fā)展。人與社會(huì)需求是社會(huì)發(fā)展的動(dòng)力，所以人的無(wú)止境的追求成為室內(nèi)設(shè)計(jì)不斷更新的原動(dòng)力。室內(nèi)環(huán)境設(shè)計(jì)必須抓住人們提高生活環(huán)境質(zhì)量的強(qiáng)烈愿望，在人的這種心態(tài)和產(chǎn)品開(kāi)發(fā)（如室內(nèi)環(huán)境更加完善的建筑、如現(xiàn)代住宅、別墅、新型商業(yè)空間的建設(shè)等）之間起到重要的中介作用。1. The problems existing in the modern interior designInterior design is based on the structure of the use of nature, environment and the corresponding standards, using the material technical means and architectural aesthetics principle, create function reasonable, comfortable beautiful, satisfy people material and spiritual life need of the indoor environment. This one space environment has both use value, meet the functional requirements, but also reflects the historical context, architectural style, mental factors such as environment atmosphere. Problem of modern indoor environment design in our country is mainly manifested in the following points：1.1performance in design is heavy, light culture shape. Buildings is a kind of cultural phenomenon, is the important carrier of human civilization. To gather and carrier of the city and architecture, is a national culture status, the most centralized embodiment of civilization, is the concentrated in the country. The wave of globalization swept by, we see the autonomy of Chinas modern culture and traditional Chinese culture of the lost, specific to the architecture and environment art, prominent status is churning out the Bauhaus architecture throughout, tastelessness of the proliferation of false of Europe land amorous feelings. Imitation, the phenomenon of plagiarism, the pursuit of luxury in the design work can be seen everywhere, bright strong regional culture characteristics in most cities in todays China is decreasing, it is related to lost of traditional culture and social blundering, investigate its reason, both the lost of culture, there is also a lack of institutional. This is the city policy makers and designers must face the serious and urgent problem.1.2 lack of humanistic care in the design processIs the fundamental purpose of interior design is not driven by material, our behaviors and life needs is the basic reference to interior design, which is by the people and external environment of the non-deterministic relationship decisions (namely nature didnt provide a ready-made living conditions, but through their own changes to the environment for their services, people and animals is that man in the world to foreign inevitable transcendence), with the development of social economy, people more and more high request to the quality of their life, it is the requirement to promote chamberIn the design development. People and the social demand is the motive force of social development, so people endless pursuit to become the lifeblood of the interior design update. Indoor environment design must seize peoples strong desire to improve the quality of living environment, in the person of this kind of mentality and product development, such as indoor environment more perfect construction, such as modern residential, villa, the construction of the new type of commercial space, etc.) play an important role in the mediation.2中式風(fēng)格在現(xiàn)代室內(nèi)設(shè)計(jì)中中式風(fēng)格的彰顯中國(guó)傳統(tǒng)藝術(shù)中追求的風(fēng)格，是情與景的交融，意與象的統(tǒng)一。書畫觀其韻，實(shí)際指精神、性情。讓作品在平淡中達(dá)到意到而筆未到的深度，可超越線條上的精神境界。將此原理用于室內(nèi)設(shè)計(jì)，則能創(chuàng)造出豐富的環(huán)境，使其具有更高層次的審美價(jià)值。21 傳統(tǒng)圖案的取形延意我國(guó)傳統(tǒng)裝飾圖案的題材大致分為兩大類：一是紋樣圖案，二是寓意圖案，但界限卻不是那么明顯，絕大多數(shù)紋樣圖案同時(shí)也都具有各種吉祥寓意，其圖案形象本身就具有一定的象征意義。在中國(guó)傳統(tǒng)的室內(nèi)裝飾中，傳統(tǒng)裝飾圖案扮演著十分重要的角色，無(wú)論是建筑的門窗、天井、梁柱等裝飾，還是室內(nèi)的屏風(fēng)、隔斷、家具擺設(shè)，以及瓶鏡陳設(shè)、書法字畫等壁掛，還有床幔，窗簾、座墊、墻紙、地面拼花等，都離不開(kāi)傳統(tǒng)裝飾紋樣，達(dá)到了無(wú)物不飾、無(wú)飾不巧的程度，是中國(guó)傳統(tǒng)室內(nèi)裝飾設(shè)計(jì)的重要組成部分。傳統(tǒng)裝飾圖案在現(xiàn)代室內(nèi)中可以通過(guò)對(duì)圍合界面的裝飾處理，選擇具有傳統(tǒng)圖案裝飾的室內(nèi)陳設(shè)品來(lái)表現(xiàn)。圍合界面即墻面、地面、天花，包括了分隔空間的實(shí)體和半實(shí)體、室內(nèi)陳設(shè)品主要指室內(nèi)家具、設(shè)備、裝飾織物、陳設(shè)藝術(shù)品、照明燈具等。它們運(yùn)用在現(xiàn)代的空間設(shè)計(jì)中，通過(guò)對(duì)造型以及紋樣內(nèi)容的辨認(rèn)與解讀，使設(shè)計(jì)既能滿足對(duì)功能與理性的追求，又能體現(xiàn)傳統(tǒng)文化特質(zhì)，產(chǎn)生心理共鳴，進(jìn)而體驗(yàn)作品所帶來(lái)的人文關(guān)懷，滿足人們更高層次的精神與心理需求。22 裝飾材料的合理應(yīng)用中式風(fēng)格室內(nèi)設(shè)計(jì)方案的實(shí)施，必須通過(guò)材料來(lái)完成，現(xiàn)代社會(huì)，可以用在室內(nèi)環(huán)境中的材料很多，但要達(dá)到合理運(yùn)用則比較困難，我們應(yīng)當(dāng)學(xué)會(huì)主動(dòng)駕馭材料，最大限度發(fā)揮材料各自的優(yōu)勢(shì)。以下是兩種在彰顯中式風(fēng)格時(shí)常用的裝飾材料：221 木材木材作為一種輕盈、溫暖、堅(jiān)固的材料，有很好的觸感、氣味及可塑性。人類早在遠(yuǎn)古時(shí)代就把很多木材的自然屬性融入當(dāng)時(shí)的社會(huì)文明中，如對(duì)木雕圖騰的頂禮膜拜。木材其強(qiáng)烈的親和力和歸屬感而成為最親近人類生活起居的材料，被作為地板、墻面以及家具的主要材料。222 竹材竹質(zhì)裝飾材料主要有竹地板、護(hù)墻板、竹線條、竹家具、竹板材等新型綠色環(huán)保材料。在崇尚自然和“綠色裝修”的今天，竹地板以其優(yōu)良的內(nèi)在品質(zhì)和賞心悅目的外觀，逐漸受到人們的喜愛(ài)。竹地板紋理通直、色調(diào)高雅、質(zhì)感細(xì)膩，且能增添室內(nèi)文化氛圍，非常適合作為地面裝修材料。223 石材自古至令，從建筑的結(jié)構(gòu)，到建筑表面的鋪裝，到建筑環(huán)境中的裝飾，石材一直發(fā)揮著重要的作用。通過(guò)對(duì)石材的選擇、組臺(tái)、雕刻可以賦予空間環(huán)境不同的性格與韻味。石材最吸引人的特點(diǎn)是色澤紋路能保持自然原石風(fēng)貌，加上色澤調(diào)配變化，能將石材質(zhì)感的內(nèi)涵與藝術(shù)性展現(xiàn)無(wú)遺。吻合人們崇尚自然，回歸自然的文化理念，人們便統(tǒng)稱這類石材為“文化石”。用這種石材裝飾的墻面，鋪就的地面，制作的壁景等，確實(shí)能透出一種中式文化韻味和自然氣息。23 中式風(fēng)格居室的色彩情感表現(xiàn)色彩通過(guò)視覺(jué)作用于心理，常常影響人的情感，左右人們的精神和行為。在室內(nèi)設(shè)計(jì)中，色彩的選擇對(duì)于室內(nèi)總體環(huán)境氣氛的烘托起著非常重要的作用?？v觀我國(guó)傳統(tǒng)建筑居住環(huán)境，北方的宮殿、官衙建筑造型考究，色彩鮮明豐富，對(duì)比強(qiáng)烈。而在山明水秀、四季常青的南方民居建筑中，為了使建筑的色彩與南方的自然環(huán)境相調(diào)和，它使用的色彩就比較淡雅，多用白墻、灰瓦和栗、黑、墨綠等色的梁柱，形成秀麗淡雅的格調(diào)。中式風(fēng)格的現(xiàn)代室內(nèi)設(shè)計(jì)對(duì)與色彩的情感把握要在滿足人們情感需求的前提下對(duì)傳統(tǒng)色彩的沿襲和創(chuàng)新。如墻布色彩的選配，就要按照室內(nèi)總體基調(diào)來(lái)考慮，同時(shí)應(yīng)對(duì)其它物品（如壁燈、裝飾畫等）起到襯托作用。又如在大多數(shù)以淺淡柔和基調(diào)的室內(nèi)空間，總顯得過(guò)分和諧而平淡無(wú)奇，我們?cè)谡w調(diào)整時(shí)，若在墻上適當(dāng)?shù)奈恢脪焐先齼煞时容^艷麗飽和的裝飾畫，則整個(gè)空間氣氛就會(huì)在這種素與鮮的對(duì)比中活躍起來(lái)。其實(shí)，調(diào)配色彩的方式很多，尤其以同類色調(diào)或鄰近色調(diào)和原理運(yùn)用較為廣泛。總之，色彩調(diào)和的終極目的就是使室內(nèi)氛圍達(dá)到某種情調(diào)，更有利于滿足人們的心理需求。24 中式風(fēng)格自然景觀的交織映襯隨著生態(tài)環(huán)境的日益惡化，人們對(duì)于自然有著熱烈的渴望，自然要素對(duì)于某些相關(guān)主題的營(yíng)造有著深刻的意義。人類熱愛(ài)自然，并同大自然和諧相處，乃是人類之本性，不論是生理上還是心理上，人們都愿意接近自然，向往自然環(huán)境，而現(xiàn)代社會(huì)恰恰使人遠(yuǎn)離自然，長(zhǎng)期生活在人工環(huán)境中。因此，如何賦予室內(nèi)環(huán)境以生機(jī)，就成了當(dāng)今設(shè)計(jì)師在室內(nèi)設(shè)計(jì)中面臨的一個(gè)重要課題，比較常見(jiàn)的手法有：241 室外借景現(xiàn)代社會(huì)，人們己經(jīng)厭煩了在水泥方盒子生活，渴望融入自然。設(shè)計(jì)師通過(guò)設(shè)計(jì)把室內(nèi)做得如同室外一般，把自然引進(jìn)室內(nèi)，這種設(shè)計(jì)手法稱為室內(nèi)設(shè)計(jì)室外化。設(shè)計(jì)者可以通過(guò)建筑設(shè)計(jì)或改造建筑設(shè)計(jì)使室內(nèi)外通透，或打開(kāi)部分前面，使室內(nèi)外一體化，創(chuàng)造出開(kāi)敞的流動(dòng)空間讓居住者更多地獲得陽(yáng)光、新鮮空氣和景色。但是這種手法局限于只能運(yùn)用在周圍有著良好的自然景觀的建筑物內(nèi)。242 室內(nèi)造景室內(nèi)造景是目前室內(nèi)設(shè)計(jì)上常運(yùn)用的表現(xiàn)手法，利用小空間表達(dá)出個(gè)人風(fēng)格，讓綠色的景觀豐富室內(nèi)視覺(jué)美感，流露出自然的氣氛與居家的雅致品位與內(nèi)涵。按照造景元素我們可分為水景、林景、山景、石景等等。水景在室內(nèi)的應(yīng)用在較大程度上滿足了人們親水性的需求，給環(huán)境帶來(lái)了一種自然、恬靜的優(yōu)雅氣質(zhì)。利用水景來(lái)表現(xiàn)空間主題的室內(nèi)設(shè)計(jì)已屢見(jiàn)不鮮。25 室內(nèi)設(shè)計(jì)中陳設(shè)飾品的精致點(diǎn)綴在室內(nèi)環(huán)境設(shè)計(jì)中，很多人過(guò)度重視對(duì)三大界面（頂面、墻面、地面）的裝修處理，忽略了陳設(shè)品的裝飾點(diǎn)綴，但伴隨著理智消費(fèi)時(shí)代的到來(lái)和審美觀念的變化，一種“輕裝修、重裝飾”的設(shè)計(jì)理念已經(jīng)在國(guó)內(nèi)悄然興起開(kāi)了。陳設(shè)品包括室內(nèi)環(huán)境中必要的家具以及美化空間、抒發(fā)感情、傳達(dá)寓意的飾物、小品成功的中式風(fēng)格室內(nèi)設(shè)計(jì)需要明確地表達(dá)主題和性格，家具、飾物、小品等蘊(yùn)含著深刻的歷史文化、風(fēng)俗習(xí)慣、地域特征和傳統(tǒng)觀念等意義，可以引起人們豐富的聯(lián)想。家具、飾物、小品的選型。對(duì)于室內(nèi)氣氛的營(yíng)造是點(diǎn)睛之筆，其主要作用在于明確空間主題起到傳神達(dá)意的目的。在對(duì)裝飾藝術(shù)品進(jìn)考量選擇和陳設(shè)時(shí)，我們要本著寧少勿濫、恰到好處的原則，根據(jù)環(huán)境所屬的風(fēng)格、所面對(duì)的群體、所承載的功能等進(jìn)行合理的布置，讓裝飾品對(duì)整個(gè)環(huán)境起到畫龍點(diǎn)睛的作用，而不是一種純粹的堆積擺放。26 聽(tīng)覺(jué)嗅覺(jué)的隱性烘托人們對(duì)環(huán)境空間的感知能力是多層面、多角度的，包括空間尺度、比例、分隔，秩序、色彩、體雖、光影等視覺(jué)元素，還包括聽(tīng)覺(jué)、嗅覺(jué)等其它元素。在室內(nèi)環(huán)境氛圍的營(yíng)造中，聽(tīng)覺(jué)主要可以通過(guò)背景音樂(lè)來(lái)烘托。音樂(lè)對(duì)人的情感刺激較大，曲調(diào)優(yōu)美、風(fēng)格典雅的輕音樂(lè)能使室內(nèi)環(huán)境充滿生機(jī)、充滿活力，給人以輕松愉快的感覺(jué)，能烘托出一種特定的意境。在我國(guó)古典音樂(lè)中，最具中式風(fēng)格的就是古琴樂(lè)。有人說(shuō)古琴樂(lè)是充滿人格美與意境美的文人音樂(lè)，古琴音樂(lè)強(qiáng)調(diào)寫意的境界，特征表現(xiàn)為古、推、逸，以清、微、遠(yuǎn)為主要的審美趣味，其追求的是弦外之音的深邃意境，與超越物化層面之上而不受現(xiàn)實(shí)羈絆的精神境界，進(jìn)入天地間的廣闊、空靈與無(wú)限。例如，在一些文化味比較強(qiáng)的場(chǎng)所，如博物館、休閑茶館等室內(nèi)環(huán)境中，都常伴有優(yōu)美、典雅的古琴音樂(lè)，這對(duì)環(huán)境主體氛圍的烘托起著顯著的作用2. Chinese style in modern interior design of Chinese style styleTraditional Chinese art in the pursuit of style, is a blend of sentiment and scene, the unity of meaning and like. Calligraphy and painting view its charm, actually refers to the spirit and temperament. To work in the plain meaning to and not to the depth of the pen, can go beyond a line on the mental state. The principle used in interior design, can create a rich environment, make it has a higher level of aesthetic value.2.1 the traditional pattern of extended meaningsThe subject of Chinese traditional decorative pattern roughly divided into two categories: one is decorating pattern, the second is moral pattern, but the line is not so obvious, the vast majority of decorating pattern also has all kinds of auspicious implies at the same time, its design itself has a certain imageSymbolic significance. In the traditional Chinese interior decoration, traditional decorative pattern plays a very important role, whether building doors and Windows, patio, the adornment such as beams, or indoor screen, partition, furniture, and the bottle glass display, calligraphy calligraphy and painting, such as hanging, and bed curtain, curtain, cushion, wallpaper, spelling a flower on the ground, etc., cannot leave the traditional decoration pattern, to the degree to which any act the role ofing, not sorry, is an important part of Chinese traditional interior decoration design. Traditional decorative pattern in modern interior can be dealt with through to surround close interface of decoration, choose a traditional pattern decoration indoor display is tasted. Surround close interface namely metope, ground, ceiling, including the disjunctive space entities and entity, indoor display is tasted refers mainly to furniture, equipment, indoor decorative fabric, display art, lighting, etc. They use in the space of the modern design, through to the modelling and pattern identification and interpretation, make a design can not only satisfy the pursuit of functional and rational, and can reflect the traditional culture traits, psychological resonance, and work experience of humanistic care, satisfy the people to a higher level of spiritual and psychological needs.2.2 the reasonable application of decorative materialsThe implementation of the indoor design, Chinese style style must be done through materials, modern society, can be used in indoor environment is the material a lot, but to achieve reasonable use is more difficult, we should learn to take the initiative to control the material, maximum material into full playTheir advantages. Here are two reveals Chinese style style often used decorative materials:2.2.1 woodWood, as a kind of lightsome, warm and strong material, have a good touch, smell and plasticity. Human as early as in ancient times had a lot of the natural attribute of lumber into the civilization of the society at that time, such as the carved totem worship. Its strong woodAffinity and sense of belonging and become the closest living material, human life was as the main material of floor, wall and furniture.2.2.2 bambooBamboo qualitative decoration materials mainly include bamboo flooring, wall panel, bamboo line, bamboo furniture, bamboo board and other new type of green environmental protection material. In todays advocate natural and the green decoration, bamboo floor with its excellent internal quality and aesthetically pleasing appearance, by graduallyThe love of people. Bamboo floor texture straight, elegant tone, smooth texture, and can add indoor culture atmosphere, very suitable for as a ground decorates material.2.2.3 stoneTo make since ancient times, from the structure of the building, to the shop is on the surface of the building, the building environment of decoration, stone has been playing an important role. The art of carving stone material selection, group of Taiwan, can give the space environment of different personality and charm. Stone is the mostAttractive colour and lustre is the feature of grain can keep the original rock of natural style and features, and allocate change color, stone texture can be connotation and art show. Match people advocate natural, return to natural culture idea, people referred to this kind of stone material as cultureStone . With this kind of decorative stone walls, paved the ground, wall made of landscape, etc., can give a kind of Chinese culture and the natural breath.2.3 Chinese style style of the bedroom colour emotion performanceColor by visual effects on psychological, often affect the persons emotion, about peoples spirit and behavior. In be being designed indoors, the choice of the color for indoor overall environment plays a very important role to the foil atmosphere. Throughout our country traditional buildings live ring, north of the palace, yamun building modelling elegant, bright colorful, comparative and intense. In yixing, evergreen south local-style dwelling houses building, in order to make the building color to reconcile the natural environment in the south, it USES the colour is quietly elegant,Use white walls and gray tiles and chestnut beams, such as black, dark green color, form the style of quietly elegant beautiful. The modern interior design with the color of Chinese style style of the emotional hold to under the premise that meet peoples emotional needs of inheritance and innovation of traditional color. Such as wall cloth color matching, according to the overall tone at indoor, and deal with other items (such as a wall lamp, decoration, etc.) have foil effect. And as in most shallow light soft tone of interior space, always appear beyond the mark and harmonious and bland, we adjust the whole, if proper position on the wall hang the adornment picture three two more gorgeous colour saturation, the atmosphere of whole space will be in this kind of element and bright contrast. In fact, there are many ways to mix colors, especially with a similar colour or adjacent colour harmony principles are more widely used. All in all, the ultimate purpose of color harmony is to make interior atmosphere reached some kind of emotional appeal, more conducive to meet the psychological needs of people.2.4 natural landscape of Chinese style style mixed set offWith the increasing deterioration of the ecological environment, people longing for nature with a warm, natural elements for some related subject construction has a profound significance. Human nature, and in harmony with nature, is the human nature, whether physical or psychological, people are willing to close to nature, natural environment, and modern society just keep people away from the nature, life for a long time in artificial environment. Therefore, how to give vitality to the indoor environment, has become todays designers face in interior designOne of the important subjects, more common methods include:Against 2.4.1 outdoors borrow sceneIn modern society, people have tired of living in cement box, eager to blend in nature. Designer through the design have done like outdoor, indoor natural into indoor, this design technique known as interior design externalization. The designer can be builtBuilding design or architectural design make indoor and outdoor fully, or turn on the front part, make indoor and outdoor integration, create the flow of the open space for the occupants to obtain more Sunshine, fresh air and scenery. But this technique is limited to only use the aroundA good natural landscape in a building.Interior landscaping 2.4.2Interior landscaping are often use the technique of expression of interior design, the use of smallSpace to express personal style, let the green landscape rich interior visual aesthetic feeling, flowReveal the natural atmosphere and occupy the elegant taste and connotation. I according to the landscape elementsThey can be divided into the water, Lin Jing, mountain, stone and so on. The application of waterscape in the interiorIn a large extent to meet the needs of the hydrophilic, brought a on the environmentNatural, quiet elegant temperament. Use water to express the space theme of indoor setMeter has common occurance.2.5 in the interior design of the delicate ornament act the role ofing is tastedIn the indoor environment design, a lot of people to focus on three main interface (top surface,Decorate metope, ground) processing, ignoring the display adornment ornament, but accompanyWith the advent of the era of rational consumption and the change of the aesthetic idea, a light is repaired, heavyAdornment design concept has been emerging in China.Display including necessary furniture and indoor environment beautification space, expressing feelingAffection, convey meaning of decorations and sketch. Successful Chinese style interior design needsArticulated theme and character, furniture, accessories, such as sketch was a profound historyShi Wenhua, customs, geographical features and traditional ideas, such as meaning, can cause peopleThe rich lenovo. Furniture, decorations, sketch of the type selection. For indoor atmosphere to the campEyeball pen is made, its main function is to clear the space theme play vividly expressesPurpose.In the decorative arts into consideration when selecting and display, we will in line with better less than, the principle of right abuse, according to environments style, faced by groups,Carries the function such as reasonable decorate, make adornment picture in terms of the environmentDragon is the role of the dot eyeball, rather than a pure accumulation is put.2.6 hidden foil of auditory sense of smellPeoples perception of the environment space ability is more level, multi-angle, including emptyScale, proportion, between space, order, color, body, lighting and other visual elements,Also includes hearing, smell, and other elements. In the construction of indoor environment atmosphere, listenThe main background music to foil. Music to the persons emotional stimuli is bigger,Beautiful melody, style and elegant light music can make indoor environment full of vitality, full of lifePower, give a person the sense with relaxed and happy, can foil gives a kind of specific artistic conception. In myThe classical music, most of Chinese style style is the guqin music.Someone said that the guqin music is full of